A collection of hA collection of horror stories involving cannibals, zombies “and other funny creatures”.
晴晴和(hé(🍋) )小雨(👳)(yǔ )一(📚)(yī )起(🌋)来到(🚁)城市(🎖)打工投(tóu )奔老(😮)(lǎo )乡莹莹,途中遭绑(bǎng )架团伙赵卓和四通(tōng )绑架(jià ),影片(🏊)以恢(🤩)弘(hó(🙄)ng )幽默(🕝)(mò )的(🍻)(de )手法(🈴)(fǎ )讲述晴(🌵)晴小(👭)雨与犯(fàn )罪分子斗智斗勇的(de )故事(shì )。
Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.
栗子致力于研究(jiū(✒) )记忆(🧢)交换技术(😳),男(ná(🌏)n )友钟(🈵)(zhōng )瀚(🎯)(hàn )非(⭐)常支(🔉)持。科学(xué )家(jiā )白堂(táng )武秘密研究克隆人(rén ),却只能搞出(🤘)没有(yǒu )灵魂(hú(🕵)n )的空(🔕)壳,他(🤺)意识(🏽)到(dà(👦)o )记(jì(🔺) )忆交换技术是(🍆)他(tā )最需(xū )要(yào )的。但栗子不愿与(yǔ )白堂(táng )武合作。白堂(👇)武将(😁)(jiāng )钟(😺)瀚变(❌)成“白(🎽)痴”骗(🧓)栗(lì )子帮(🔓)钟瀚(🛋)恢复(fù )情感(gǎn )。钟瀚(hàn )突然成了绑架反克(kè )隆人专家刘(⛰)大明(🏘)的(de )嫌疑(yí(😅) )犯。栗(🖕)子试(📠)图帮(🌞)钟(zhō(🎩)ng )瀚洗(👧)冤,竟在自家(jiā )发现(xiàn )刘(liú )大明尸体。白堂(táng )武(wǔ )提出(chū(🆕) )克隆刘大明并(🧔)植入(🛥)(rù )记(👑)忆。栗(🈯)子勉(🙎)强答(💏)(dá )应。栗子潜入(🌬)白堂武实(shí )验(yàn )室发现:真正的(de )钟瀚(hàn )已(yǐ )死,现在的(🔙)钟瀚(📟)是(shì(🛹) )白堂(🍠)(táng )武(♈)的克(👽)隆人。白堂(⭕)(táng )武(🍦)利用记忆交换技(jì )术批(pī )量生产克隆人(rén )杀手(shǒu )。栗子(🚃)(zǐ )和(🐒)钟瀚一起(🆔)捣毁(🦖)白(bá(🈁)i )堂武(🉑)实验(🤟)室。两(👅)人(rén )逃亡(wáng )之际,钟瀚却将自(zì )己锁在里面,随实(shí )验室(🛌)(shì )一(yī )起毁灭(🍁)。数周(🐼)后(hò(🦊)u )栗(lì(⭐) )子发(🍞)(fā )现(👑)自己怀上钟瀚(🏼)的(de )孩子,这让她坚强(qiáng )地面(miàn )对未来。
这部电影(yǐng )的(de )故事(🥒)背景(🔲)让人(😩)不(bú(✊) )禁回(🍩)忆(yì(🕉) )起《逃出绝(🥇)命镇(🕔)》。一(yī )位黑人男性(杰森(sēn )·米切尔饰)在周(zhōu )末的(de )时(🦐)候,因(🛍)为觉(jiào )得(😀)周(zhō(💏)u )围(wé(🤕)i )只有(🏉)(yǒu )白(🌼)人朋(💨)友所以觉得(dé )十分紧张。当然,这部(bù )作品与乔丹·皮尔(👦)(ěr )去年那部符(🏘)合大(🤒)众(zhò(🎗)ng )口味(🔳)(wèi )的(🎍)(de )《逃出(📲)绝命镇》不(bú )同(⛏)。智利导演塞巴斯蒂(dì )安·席尔瓦是一个(gè )古怪(guài )的人(🛡),他的(🍚)电影(😭)如(rú(🏪) )《女仆(🍟)》、《水(📱)晶(jīng )仙女(🤙)》、《肮(👑)脏的婴儿》都倾(qīng )向于剑走偏锋,故(gù )事开始会有点怪异(🙀)(yì ),而(🦕)(ér )之后则(👺)会变(✒)得(dé(🐱) )更加(💪)(jiā )怪(📚)(guài )异(🌓)。这种风格对于《周(zhōu )末生日游》意味着(zhe )什么(me )呢?还不知道(❤)。但(dàn )我们非常(👡)期待(🆘)这种(📖)(zhǒng )不(🥊)确(què(🚷) )定(dì(🥛)ng )性,况且演员阵(🕰)容(róng )中还(hái )有克里斯托弗·阿(ā )伯特、迦勒兰德里(lǐ(🐭) )·琼(💸)(qióng )斯(🏔),迈克(🍣)尔·(🖐)塞拉(🐟)和(hé )安(ā(🥨)n )·道(💕)德。
《驴为媒》故(gù )事发生在当下鲁西(xī )大地(dì )上的聊城市(📔),讲述(👋)(shù )的是在(🐊)京打(🍁)拼多(🤝)年(niá(🕠)n )的有(🛋)(yǒu )志(🌙)青年,得知老家(jiā )惠(huì )民政(zhèng )策后,回乡养驴、带领村民(🕦)脱贫致富(fù ),实(🛢)(shí )现(🤙)自己(😓)创业(🍅)梦,并(👎)(bìng )赢(🕙)得爱情的故事(💜);讲(jiǎng )述了(le )党(dǎng )的精准扶贫政策和(hé )乡村(cūn )振兴战略在(🏵)齐鲁(💿)大(dà(🔫) )地的(👤)生动(🚽)实践(🛴),展(zhǎn )现了(🏡)(le )基层(🛡)党员干部在全(quán )面(miàn )建成小康社会进程中的(de )“主心骨”形(😣)象。电(⏩)影(yǐng )《驴为(✋)媒》坚(🎯)持“小(🐸)成本(🔃)、大(⏲)情怀(🏭)、正能(néng )量”的创作宗旨,紧(jǐn )扣当(dāng )前乡村振兴和精准(♓)(zhǔn )扶贫主题,将(🚓)社会(📤)(huì )效(🛀)益(yì(🎆) )、价(💝)值引(🗜)领放在首(shǒu )位(🌯),引导人们努力(lì )实现(xiàn )个(gè )人前途与国家命运(yùn )、个(🈵)(gè )体(🤪)经历(🤯)与时(⛱)代大(🤬)潮(chá(💀)o )、个体情(📺)感与(💓)国家(jiā )情感(gǎn )的同频共振,激励(lì )人(rén )们向上向善,自觉(〽)践行(⛏)(háng )社会主(🔈)义核(🏠)心价(🍨)值(zhí(🔑) )观,讴(🌈)歌党(🔛)、讴歌人民(mín )、讴歌新时代。
子(zǐ )どもに夢を与え、想(🔁)像(xiàng )力(lì )をは(👌)ぐく(🆒)むコ(🌡)ンテ(♟)ンツ(♓)作り(🦏)をめざして、(💣)キャラクターアニメーションを中心にデジタル絵本(💭)やARと(🙆)いっ(🍍)たア(🔓)プリ(⛅)など(🤛)を通して(🚾)、エ(💎)ンタメから知育まで幅(fú )広く活動しているスタジオ(🎭)なな(🕙)ほしが、(📅)ジャ(🌓)ンル(🤼)やメ(🐎)ディ(♏)アを(🎆)問(wèn )わず、ものづくりを手掛けるウサギ王と制作。ど(🤑)この家にもあ(🌹)る縁(🐒)起物(🈶)たち(🐻)と、(🔖)彼(bǐ(🌹) )らが動くさまを見(jiàn )た子(zǐ )どもたちとの交流(liú )を、躍動感いっぱ(📬)いに(💓)描(miá(🤵)o )いた(🥡)ドタ(🍷)バタ(🏇)コメディ!
武则(💟)天登基前,“无头神将”怪物(wù )奇袭(xí )皇陵,屠杀官兵和(hé )工(👄)(gōng )匠(💴)。武后派民(🐢)间神(🎃)探狄(🐠)(dí )仁杰调(🔃)查此(💞)案。狄(dí )仁杰(jié )多次涉险后终于发(fā )现幕后黑手的身份(📎)(fèn )和无(wú )头神(🚪)将的(🧒)真面(🔝)目。敌(👄)(dí )人(📼)袭(xí(🛩) )击祭天大典,狄仁(rén )杰摧毁“无头神将(jiāng )”,击溃敌人,保护了(le )武后。详情