人據說(shuō(🔜) )一生人據說(shuō(🔜) )一生最(zuì )多(🌅)有十(shí(🎡) )萬條頭(tóu )髮(🕉),每一條頭髮質感長(🚈)度有異,但都(🐗)承載著(📅)(zhe )煩惱的(de )回憶(🆑)(yì )。「時(shí )光(🛥)理髮(fà(🔮) )」剪掉(diào )的(🍲)不只(zhī )是頭髮(fà ),還(👨)有街坊不快(👙)的記憶(🈷)。行將式微的(🎯)舊式廣東理髮(fà )店(🐅)店主(zhǔ )海泉(😰)(quán )叔指(🔟)望(wàng )兒子長(🍣)(zhǎng )發繼承(ché(🛂)ng )衣缽,不(😳)過兒(ér )子卻(🖨)更想當文青,希望透(⛳)過文字和音(⚫)樂改變(💹)世界。一次(cì(🎐) )意(yì )外,長發(⏹)被(bèi )迫(🔗)代父(fù )親落(🎬)場(chǎng )當師傅(fù ),透過(💴)(guò )理髮為街(🐉)坊排憂(🗄)解難,更與離(🔣)家出走少女相(xiàng )遇(🖨)相知(zhī ),重(chó(🌻)ng )新反思(sī )自己的(de )前(👚)路。傳統理(lǐ(🦕) )髮店交(⏩)(jiāo )織舊區鄰(👧)里人情,《點五步》男角(🈷)岑珈其化身(👍)理髮(fà(🖥) )店傳人(rén ),演(🎼)(yǎn )出清新(xī(🚶)n )自然。
本(🎸)片导(dǎo )演童(🚛)抒(shū )伟称,《追击者》将(👷)是福建省第(🍧)一部真(💾)正意义上还(🧀)原电影(yǐng )本(👵)质(zhì )、(💥)追求(qiú )电影(✳)艺(yì )术的动(dòng )作犯(😌)罪(zuì )电影,同(Ⓜ)时他(tā(⛺) )也致力于拍(🦄)摄出自己风格的电(🌑)影,更希望能(🚗)(néng )够打开(kāi )漳州(zhō(🥂)u ),甚至(zhì )是福(📠)建(jiàn )的(🖋)电影(yǐng )市场(🏺),希望能(néng )将商业与(🥞)艺术想结合(🧜)。
TudorFilms presents an action packed gore fest, following regular guy Ed (Marcus Carroll) who awakes one morning to find that his Nan (grandmother) has become one of the living dead. Trapped in his home, Ed struggles to handle the situation. With help from his friends, Ed tries to survive the day, but as his Nan becomes stronger, Ed is battling to keep his house zombie free, stay alive and save the day.
A wealthy socialite's daughter discovers she was switched at birth.
90后单身(🐯)多金男宋子(🔡)明有一身(shē(🛡)n )非凡的(🎥)(de )武功(gōng ),却是(💰)(shì )一枚现(xiàn )实生活(🌨)(huó )中如假(jiǎ(🏑) )包换的(📮)(de )娘炮。为和朋(🎡)友们打赌,宋(🛤)子明隐(🎎)瞒自己多金(🔎)且会(huì )武功(gōng )的(de )秘(🚕)密(mì ),应聘(pì(🎏)n )到健身(💸)(shēn )馆追求(qiú(㊙) )心仪女(nǚ )教练黄(huá(⚫)ng )飞并有幸成(💅)为其特别助理。宋子(🛬)明和伙伴小(🐩)胖接受(🌸)(shòu )黄飞(fēi )和(🔶)同事(shì )陈艳几(jǐ )近(🍿)残酷(kù )的训(👒)练(liàn ),糗(🐝)事(shì )不断,笑(🕸)料连连……(🎨)为黄飞(👨)受伤住院,与(⏹)小伙伴们(men )一起解(jiě(🎴) )救被(bèi )拐儿(🎮)童(tóng ),打(🌌)败(bài )黑龙平(🗼)(píng )息健身(shē(📖)n )馆老板(🥏)(bǎn )方成的江(🕤)湖恩怨,宋子明勇敢(🅱)机智的表现(🌙)赢得了(🔴)黄(huáng )飞的好(🚸)(hǎo )感。青春激(jī )荡,活(Ⓜ)(huó )力四射(shè(🍔) ),宋子(zǐ(😰) )明收获(huò )了(🏂)爱情,与小伙(🖤)伴们一(🌭)起实现了创(🚶)业梦想,功夫娘(niáng )炮(🔂)最(zuì )终(zhōng )一(👌)炮(pào )打(🥡)响。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.详情