这(💚)是一个发生在(zài这(💚)是一个发生在(zài )古(🧚)镇酒(jiǔ(📐) )楼前(🙊)任(rèn )账房先(xiān )生身上(shàng )的(🏠)故事(🍝)(shì )。风六(🦁)(liù )书独自(zì )上路,赴(🙋)京赶(👛)(gǎn )考。路(〰)(lù )上(shàng )结识(shí )了(le )两(🚣)个同(tóng )样是(🚥)进(jìn )京赶考(kǎo )的学(🥈)子(zǐ ):(🏑)书香(🔋)(xiāng )门第之(zhī )后薛梦(👪)(mèng )隐和(🏔)武(wǔ(😀) )状元种(🛰)(zhǒng )子选手(shǒu )江牡虎(🦍)(hǔ ),三(📕)人(rén )气(🤹)味相投决定结伴而(🎡)行。可两人言(🤘)语之间一个比一个(🚵)经验不(⏭)俗,一(🙊)个比一个厉害。风六(🎚)书无奈(😪),为了(❌)维护自己的面子和尊(zūn )严(🍢),也(yě(🏈) )为了不(🏰)(bú )失去这(zhè )两个“朋(⛓)友”,他(👑)只(zhī )好(⭐)把自(zì )己在古(gǔ )镇(⏱)酒楼(lóu )时遇(📧)到(dào )的(de )事,用(yòng )另一(😁)个(gè )角(🌅)度重(😆)(chóng )新编排(pái )了一遍(🔘)(biàn )。两位(⬅)(wèi )朋(🔦)友听(tī(🔴)ng )闻之后(hòu ),对风(fēng )六(🎲)书肃(🏝)(sù )然起(☕)敬(jìng ),甚至(zhì )连称大(🗨)(dà )哥。然而这(🐒)样的“编排”又会给风(🛑)六书惹(💶)来什(👡)么麻烦呢?
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.
这部电(🚤)影的故(🚐)事背(🐣)景让人不禁回忆起《逃出绝(🕘)命镇(🏟)》。一位黑(🌔)人男性(杰森·米(🏥)切尔(📉)(ěr )饰)(😖)在(zài )周末的(de )时候,因(😱)为觉(jiào )得周(🔐)围(wéi )只有白(bái )人朋(🐧)友(yǒu )所(🐨)(suǒ )以(🔩)觉(jiào )得(dé )十分紧(jǐ(💪)n )张。当(dā(♑)ng )然,这(👩)(zhè )部作品(pǐn )与乔丹(dān )·皮(🌘)尔(ě(🌊)r )去年那(🔖)(nà )部符合(hé )大众口(🔥)(kǒu )味的《逃出(🎱)绝(jué )命镇》不同。智利(🛸)导演塞巴斯(🍘)蒂安·席尔瓦是一(⛸)个古怪(🔬)的人(⬇),他的电影如《女仆》、《水晶仙(🎡)女》、(⛸)《肮脏的(🎈)婴儿》都倾向于剑走(🤞)偏锋(🐶)(fēng ),故事(💮)(shì )开始会(huì )有点怪(🦂)(guài )异,而(ér )之(🉐)后则(zé )会变得(dé )更(💌)加怪(guà(🦊)i )异。这(😪)(zhè )种风格(gé )对于《周(⏱)(zhōu )末生(🎧)日(rì(👚) )游》意(yì )味着什(shí )么呢?还(😩)不知(⚾)(zhī )道。但(🥀)(dàn )我们非(fēi )常期待(🎷)(dài )这种不(bú(🔠) )确定性(xìng ),况且(qiě )演(😞)员阵(zhèn )容中(🌪)还有克里斯托弗·(🐒)阿伯特(🏢)、迦(⬅)勒兰德里·琼斯,迈克尔·(😖)塞拉(🤭)和安·(🚰)道德。
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
目标成为作家(😶)的青(👯)年李钟(👲)秀(刘亚仁 饰),平(🧤)日里(lǐ )靠兼(🙋)职(zhí )养活自(zì )己。经(🚌)(jīng )营畜(🈴)牧(mù(🖨) )业的父(fù )亲不谙(ā(❔)n )人情,官(👲)司缠(🚠)(chán )身,迫(pò )使钟秀(xiù )又(yòu )要(🆘)为了(⚾)(le )搭救父(👸)(fù )亲而四(sì )处奔走(🚖)(zǒu )。这一(yī )日(👩),钟(zhōng )秀在某(mǒu )大型(🙇)卖(mài )场重逢(😭)(féng )了当年(nián )的同学(🏐)(xué )申惠(♋)美(mě(🍲)i )(全钟淑 饰)。惠美计划近(🔝)期前(✝)往非洲(🚔)旅行,于是拜托钟秀(😇)照看(😍)爱猫Boil。不(🔆)久后惠美回国,与之(👯)一同下飞机(🥗)的还有名叫本(史(💏)蒂文(wé(🆘)n )·元(🙆) 饰(shì ))的男(nán )子。本(🥗)(běn )驾驶(➡)保(bǎ(🐏)o )时捷,居住在(zài )高级公(gōng )寓(🚒)内,优(😶)哉游(yó(👠)u )哉,不(bú )见(jiàn )工作,四(🥅)处玩(wán )乐,和(🈲)(hé )钟秀相(xiàng )比有如(🔐)(rú )天上地(dì(🌵) )下。不(bú )知为何(hé ),本(🤨)走(zǒu )入(🐤)平民(🥄)(mín )钟秀和(hé )惠美的(de )生活,更(🚡)向新(💢)朋友讲(🍎)述了他奇特的癖好(😇)。在钟(🧕)秀家小(🐁)聚的那个晚上过后(📿),惠美仿佛人(📼)间蒸发了一般无影(⛽)无踪…(🕞)…详情