UNDERNEATH is a col&UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
麦昆本想给女(🈸)(nǚ )友来一(⤴)场(🌆)创意十足(🌛)的求婚(hūn )，但(🍺)在毫无预(yù(📲) )兆的情况(🦇)下(xià )结束了(🏺)一场轰(hōng )轰(♍)烈烈的爱(à(⛪)i )情，结局悲(⏯)惨(cǎn )而可笑……在经(jī(🐟)ng )历过失恋(lià(🔞)n )博物馆中(🤰)的(de )种种(zhǒng )“失(🦄)败”后，麦昆放(➕)(fàng )下了(le )，觉(🚰)得(🛫)那(nà )段失(💇)败的爱情反(🤡)(fǎn )而激励了(🚼)(le )自己，让自(🔎)己学(xué )会了如何(hé )去爱(🗃)一个人，用(yò(🆙)ng )什么样的(🎽)(de )方式让双方相处(chù )，也明(🅿)白(bái )了自(📚)己(👾)该选择去(🈹)(qù )爱一个什(🐤)么样的女孩(🚝)。
Three families from three different level of society are involved in an accident. Immorality and betrayal which are in some families will take the natural right of the children- All in the dark are the same, human do not make the same decision in the specific situation and in the end no one is guilty. The wrong culture of a society will force the human to do the mistakes so we should not judge the people and their behavior..
两(liǎng )个在(🏘)丹麦穷途(tú(🔼) )末路的小偷(🍏)(tōu )古飞宇和(🌗)贝永(yǒng )新(🚾)，为了还(hái )清黑帮老大李(🏣)(lǐ )的赌债，本(😖)(běn )想盗(dà(⚓)o )走最后一(yī(🚠) )票却卷入了(📔)(le )一场(chǎng )古(⤵)堡(🥇)遗产(chǎn )争(🥉)夺战中，遇到(☔)(dào )了本以为(🎎)(wéi )是古堡(🍵)合法继承(chéng )人的莫巧(qiǎ(🧠)o )雨。在和莫巧(🗯)雨(yǔ )一起(🔂)躲避(bì )李的过程中发现(🎎)(xiàn )了古堡(😫)背(♏)(bèi )后的秘(🔢)密和莫巧(qiǎ(🔕)o )雨真实的(de )身(👇)份。
这部电(🤟)影(yǐng )的故事背(bèi )景让人(💓)不禁回忆(yì(😽) )起《逃出绝(🎫)命(mìng )镇》。一位(wèi )黑人男性(👥)（杰(jié )森·(💧)米切尔(ě(📜)r )饰）在周末(🖨)的(de )时候，因为(🎖)(wéi )觉得(dé(👨) )周(🍃)围只有(yǒ(😠)u )白人朋友所(🦗)(suǒ )以觉(jiào )得(🐓)十分紧(jǐ(🕶)n )张。当然，这部(bù )作品与乔(🎫)(qiáo )丹·皮尔(👆)去年那(nà(🔝) )部符合大(dà )众口味的《逃(➡)出(chū )绝命(🍁)镇(🆘)》不同。智利(🍣)导演(yǎn )塞巴(🏠)斯蒂(dì )安·(🤤)席尔瓦是(㊙)一(yī )个古怪的(de )人，他的电(🔩)影如(rú )《女仆(🛳)》、《水晶仙(🎏)女》、《肮脏的婴(yīng )儿》都倾(🍋)向(xiàng )于剑(🏗)走(💎)偏锋，故事(🔽)开始会(huì )有(♈)点怪异，而(é(🗼)r )之后则会(😄)变(📕)(biàn )得更(gè(🌼)ng )加怪异。这种(🤱)风格对(duì )于(😈)《周末生日(😴)(rì )游》意味着(zhe )什么(me )呢？还(🍴)不(bú )知道。但(🚽)我们非(fē(📩)i )常期待这(zhè )种不确定性(🥃)，况(kuàng )且演(🍦)员(🚾)阵(zhèn )容中(🤽)还有克里斯(🏃)(sī )托弗·阿(🏣)(ā )伯特、(👥)迦勒兰德(dé )里·琼斯(sī(🎇) ),迈克尔·塞(🌭)拉和(hé )安(🥏)·道德(dé )。详情
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