時は安土桃山時(shí(💭)時は安土桃山時(shí(💭) )代。忍(rě(🐦)n )びの郷(xiā(🔥)ng )を抜け(🐋)た篠(17)は、追手か(🥍)ら逃走(🚂)する際に(⚓)2015年にタ(🕛)イムスリップし(🍴)てしま(🛠)う(♟)。
当(dāng )地(🌐)的神话(👣)将被一群十几岁的青少(🧔)年(🤙)在偏远(🍌)农田的(😒)夜晚(wǎn )发(fā )现。有(yǒu )没有(🚙)嗜(🙃)(shì )血(xuè(💭) )的生(shēng )物一直在徘徊在这片土地(🏝)上?
曾(💫)在釜山酒(🍘)吧打(dǎ )工(gōng )的郑(zhèng )经(jī(🎃)ng )理,通(tō(🍊)ng )过(guò )偶然(🏁)(rán )的机会偷了混混的钱(🍳)包之后(🆗)成功逃逸(📐),逃到首(🥡)尔地下(xià )单(dān )间(🕌)的郑(zhè(🍚)ng )经(jīng )理等(🔄)(děng )待着(💟)7年的公诉时效期(🏨)满,在房(⛳)间(👙)寸步不(🎋)离,开始(🙍)了彻(chè )底(dǐ )的隐(yǐn )遁(dù(🛹)n )生(🔈)活,但是(🌉)在公诉(🎠)时效期满一周前,郑经理(🤳)偶(🥘)然跟邻(🤷)家的小(xiǎo )女(nǚ )孩恩(ēn )美(měi )碰面,
A suicidal girl is forced to fight for her life when she and her friends are kidnapped and left to be hunted in the woods.
奧(😠)(ào )馬爾(🛅)(ěr )在倫敦過着富裕生活,還有一年(➗)就大學(🐍)畢業,一(yī(🧒) ) 切看(kàn )似(sì )安好。然(rán )後(🕉)忽(hū )然(👗)一天感召(🏩)來了,他無法再忍受波斯(👱)尼亞大(🏥)批穆斯林(🛎)(lín )被(bè(🍰)i )虐殺的(de )報(bào )道和(🥐)(hé )影像(🚒),要(🔎)做點什(🧑)麼改變(📬)世界。真人真事改編,呈現(👑)恐(🍕)(kǒng )怖(bù(🦌) )份子(zǐ(🍠) )的(de )成魔歷(lì )程(chéng );不從(🐮)英(🤵)美主流(🍹)角度去看,也不全循伊斯蘭觀點,究(🌁)(jiū )竟可(🚋)(kě )以(yǐ )折射出(chū )一(yī )幅怎(zěn )樣的(🕣)圖像?(🌵)觀眾跟隨(🅿)攝影機見證奧馬爾在巴(💭)基(jī )斯(➿)(sī )坦山(shā(🥠)n )區(qū )受訓,在(zài )新德(dé )里(🔶)綁架視(🆒)為沉默同(👠)謀的歐(⏲)美遊客,策劃謀殺(🐑)《華爾街(🌭)(jiē(🎍) )日(rì )報(😱)》記(jì )者(🌂)(zhě ),以(yǐ )致最後就擒。的確(🈂),人(🤸)在做天(🧜)在看,問(🕗)題是哪一個天(tiān )在(zài )看(🛹)。
宇(🖲)(yǔ )宙犯(🌇)罪(zuì )者(zhě )ベムルとその一味を追(👯)って地(🤪)球にやってきた宇宙(zhòu )の警察(chá(🔒) )と呼ば(📟)れるスパ(🌏)ンデクサーの一人スパ(🎋)ンデク(🛂)サーAは(💇)、ベムルたちに襲われ(🗃)ていた(🏣)地球の捜(🕎)査官・(🥕)目白を助けるが(🔜)、その(➕)た(🦕)めにベ(🥝)ムルた(✔)ちを逃(táo )がしてしまう(😔)。目(✴)白の協(🛷)力のも(➖)と、地球に残ってベム(📒)ル(😡)を倒(dǎ(🚾)o )そうと(📁)するスパンデクサーAの(🐫)前に、(✂)宇宙の犯罪者たちがスパンデク(🐂)サーた(🕟)ちを倒(dǎ(🔄)o )すために作った人工生(🔟)命体ゾ(🎉)ーラが現(🌚)れる。スパンデクサーの(🌦)弱(ruò )点(💉)(diǎn )の物(wù(🍱) )質で作(🏺)られたゾーラに(🐴)敗北し(😥)たスパン(😎)デクサ(🚀)ーAは、ゾーラに拉致(👄)(zhì(🌜) )され壮(🈶)絶な拷(🈵)問を受ける。そして残虐(🍂)な(🚚)性格の(❤)ゾーラ(🌚)は、目(mù )白を捕(bǔ )らえて(💓)、家族(⏯)に危害を加えられたくなければ(💓)スパン(👋)デクサー(🌞)Aをその手で殺すよう(🥒)に命令(🕯)するのだ(🐛)った。
Six people bound together by a traumatic experience decide to round off a year of group therapy in style. They join each other once more, traveling up to the Scottish Lowlands for a reunion weekend in a 1970s holiday let. Soon a number of mysterious and horrifying events start to expose the cracks in their relationships, and one by one they discover that trust runs but skin-deep. A night of closure turns out to be far more final than they could have anticipated.
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.详情