《莫霍(🍆)克人》立(😨)《莫霍(🍆)克人》立(😨)意(yì )为历史剧，发(♟)生于1812年(🏬)第(dì )二(👽)次独立战(🚸)(zhàn )争接(🌘)近尾声(🧛)(shēng )之时，但(✖)随着美(🚱)(měi )国原罪在眼(yǎ(🤢)n )前展开(🌴)，由(yóu )此产生的神(🦁)(shén )秘色(👻)彩和恐(👃)(kǒng )怖效应(🔬)让这(zhè(🍶) )部影片(☝)真正(zhèng )成了(le )令人毛骨悚(😦)(sǒng )然之作。
奧(ào )馬爾在倫(✍)敦(dūn )過着富裕生(🦃)(shēng )活，還(😪)有一(yī )年就(jiù )大(🕵)學畢業(🏓)，一 切看似安(ān )好(🔥)。然後忽(✴)(hū )然一天感召(zhà(㊙)o )來了，他(😴)無(wú )法再忍受波(🥓)(bō )斯尼(✉)亞大批(😡)穆斯(sī )林(🏋)被虐殺(🙂)的(de )報道(🗻)和影像(xià(🐸)ng )，要做點(🕎)什(shí )麼改變世界(🦀)(jiè )。真人(💕)真事改編(biān )，呈現(🦊)恐怖(bù(🐍) )份子的(🍢)成魔(mó )歷(🐼)程；不(🍬)從(cóng )英(📧)美主流角(jiǎo )度去看，也(yě(😬) )不全循伊斯(sī )蘭觀(guān )點(🐢)，究竟可(kě )以折射(🏫)出一(yī(⏰) )幅怎樣的圖(tú )像(🏥)？觀眾(🏰)跟(gēn )隨攝影機見(🔟)(jiàn )證奧(🥛)(ào )馬爾在巴基(jī(🏨) )斯坦山(🌞)區受(shòu )訓，在新德(🏤)(dé )里綁(🚄)架視為(🤐)(wéi )沉默同(💻)謀的(de )歐(🎺)美遊客(🏌)，策劃謀殺(📨)《華爾(ě(📯)r )街日報》記(jì )者，以(👙)致最(zuì(🤼) )後就擒。的(de )確，人在(⏸)做(zuò )天(👘)在看，問題是(shì )哪(👎)一個天(🚈)在(zài )看(🔔)。
Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed?
主人公(gōng )穆夏是一名(mí(🛄)ng )小说家，正(zhèng )在创作一部(🍡)(bù )小说，近来(lái )常常(cháng )被(🥫)噩梦纠缠(chán )。丈夫(🛡)莫洋(yá(🙋)ng )为她安排心(xīn )理(👮)医生做(💝)治(zhì )疗，可没想(xiǎ(🚲)ng )到在(zà(⛳)i )催眠治疗过(guò )程(👾)中一个(🉑)声(shēng )称(🥘)他才是穆(🏳)(mù )夏真(😳)丈夫的(🚮)(de )男人出现(🌫)，穆夏平(👰)静的(de )世界开始变(🎦)的一(yī(🚙) )团混乱。
A detective with some unusual qualities investigates a murder.
1891年(nián )，后印(🚨)象派(pà(🏵)i )大师保罗·高更(🏷)在巴黎(💄)(lí )的艺(👴)术圈已小有(yǒu )名气，但为(👔)(wéi )文明社会的(de )虚伪与矫(👕)情(qíng )感到厌烦。对于原始(🤜)世(shì )界的渴望驱(📠)(qū )使他(🐊)(tā )离开家中妻(qī(✳) )小，来到(😯)南(nán )太平洋的大(🌞)(dà )溪地(🚏)；准备(bèi )好为追(🌆)寻已(yǐ(🎪) )久的(de )自然、野性(🤩)(xìng )、纯(🔺)粹的生(🐛)(shēng )活与创(♿)作环(huá(🎏)n )境牺牲一切(qiē )。忍(🙄)受着经(😗)(jīng )济上的贫困(kù(🕧)n )和精神(🤥)上的孤寂(jì )，高更(♿)走进(jì(🌽)n )丛林深(🏹)处，认识了(🔸)当地(dì )的毛利(👞)人，邂逅了原住民女(nǚ )孩(💇)德胡拉；一段三角关(guā(🤧)n )係也若隐若(ruò )现(🤷)地缓缓(🧗)浮(fú )出。这座远(yuǎ(🐘)n )方岛屿(✳)彷佛(fó )是他灵魂(✊)的故土(🔠)(tǔ )，此处充满(mǎn )生(☝)命力的(🐉)人(rén )物面貌与地(🔛)(dì )景线(🦈)条都成(🛑)(chéng )为他(tā(➕) )的缪思(🎺)，激(jī )发他创作出(🎥)(chū )艺术(🥐)生涯中(zhōng )最具标(🖐)志性(xì(🔪)ng )的大师之作(zuò )。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
工(🏛)厂停工(🍈)(gōng )，张金(🍓)生无处可(🚴)(kě )去，他独自(zì(🔴) )一人在工厂(chǎng )徘徊，一段(🛁)(duàn )古怪的声音(yīn )把他引(🏚)入另一个(gè )世界(🐒)，那里(lǐ(🎠) )时而漫天大(dà )雪(😒)，时而寂(🤝)(jì )静荒凉，他(tā )看(💨)到了不(💔)同(tóng )的自己。详情
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