Taapmaan is a hard&#Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.
Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.
It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.
一名(míng )男子不滿一樁冤獄案件的發生，私(sī )自綁架(jià )審判該(gāi )案的法(fǎ )官(🛴)，將(📶)(jiā(🥜)ng )其(🐮)囚(🔈)(qiú(⛄) )禁於地下室，並錄影開直播，公開質(zhì )疑其判(pàn )決有誤(wù )，要(yào )求社會大眾對其進行公審並投(tóu )票，然(rán )而最終(zhōng )的結果(guǒ )，會(huì )因此(🅱)撼(🔱)動(🚫)程(💻)序(🤺)正(🧡)義(🎉)嗎(📋)？(💋)
《特(😗)种(🚺)(zhǒ(🔭)ng )保(🚅)镖(👅)2》以(♓)丛(🎼)林(🍠)(lí(🎽)n )中(🎯)无人(rén )区的(de )兵工厂为故事展开的据点，讲(jiǎng )述了佣(yòng )兵小队(duì )因任务(wù )要求前往荒无人烟、危险重重的工(gō(🍠)ng )厂(💧)，竟(👮)(jì(🕉)ng )遭(🙋)遇刀(dāo )枪不入(rù )的“不(bú )死军(jun1 )队”的包围，全员陷入危机仍(réng )浴血奋(fèn )战的故(gù )事...
Siblings torn apart by the hazards of life meet in Spain to settle the family's modest inheritance. Gustave, the mover, on the brink of bankruptcy, Jules the anarchistic activist, and Lou, the youngest, lost between her brothers, yearning for the unknown. Each one has a different outlook on life and their personal projects for this inheritance will reawaken family disagreements and phantoms of the past.
The story of a bird charmer as he goes on to influence the lives of people while witnessing a change in his own.
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
银行(háng )经理(lǐ )雅各布(弗兰克·格里罗饰)的同(tóng )事(🌅)被(🏌)暴(🍱)(bà(🕐)o )徒(🔎)夺(😯)去(🔹)(qù(🖇) )生(😍)命(🔢)，而(❣)他(🆙)(tā(📛) )将(🧞)和(🥁)警(🛬)察(♎)(布(🛬)鲁(🐲)斯·威利斯饰)联(lián )手制服(fú )凶手。
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.详情
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