这部电影(yǐ(🛡)ng )的这部电影(yǐ(🛡)ng )的(🚓)故事背景(jǐng )让人不禁回(huí(🎽) )忆(⬜)起《逃出(chū )绝命镇》。一位黑人(😦)男(💆)(nán )性(杰森·米切尔饰)在(🌌)周(⏱)末的时(shí )候,因为觉(jiào )得周(📚)围(🌁)只有白人朋友所以觉(jiào )得(🌰)十(😈)分紧张(zhāng )。当然,这(zhè )部作品与(🐸)乔(🍋)(qiáo )丹·皮尔(ěr )去(qù )年那部(🌘)符(🧢)(fú )合(hé )大众口味(wèi )的《逃出(🕒)绝(🧝)(jué )命镇》不同(tóng )。智利导演(yǎ(🤮)n )塞(⏫)巴(⭕)斯蒂安(ān )·席尔瓦是(shì )一(💵)个(🧖)(gè )古怪的人,他的电影如(rú(🚷) )《女(📿)仆》、《水晶仙女(nǚ )》、《肮脏(zā(🦌)ng )的(🚌)婴儿》都(dōu )倾向于剑走(zǒu )偏锋(⭕),故(🌽)事(shì )开始会有点(diǎn )怪异,而(🍃)之(💥)(zhī )后则会变得(dé )更加怪异(🍢)。这(🕧)种风格对于《周末生日游(yóu )》意(📴)味(🍪)着什(shí )么呢?还不(bú )知道(🍃)。但(🖐)(dàn )我(wǒ )们非常期(qī )待(dài )这(🏖)种(🌻)不确(què )定性,况且(qiě )演员阵(💆)容(♊)中(🗽)(zhōng )还有克里斯(sī )托弗·阿(🏢)伯(🌤)(bó )特、迦勒兰(lán )德里(lǐ )·(🥨)琼(🏾)斯,迈克(kè )尔·塞拉和(hé )安(✍)·(🥊)道德。
都说男人一(yī )有钱就变(➖)坏(🈳)(huài ),女人一变(biàn )坏就有钱,这(💷)句(⛸)话用在(zài )张宝文和他(tā )的(📿)秘(🍖)书身上(shàng )绝对合适。张宝文原(🤝)本(🔅)有一个非常好的(de )前程和家(🚧)庭(🐗)(tíng ),但是他却(què )不珍惜,与(yǔ(📞) )自(💗)己的秘(mì )书(shū )走到了一(yī(➿) )起(⏹)(qǐ(💪) )。这一段(duàn )办公室的恋(liàn )情(🚥)导(🏐)致了张(zhāng )宝文在事业(yè )上(🏎)和(🗜)家庭上(shàng )彻底破碎。秘书(shū(🌅) )的(🐽)贪婪最终(zhōng )落到过街老(lǎo )鼠(🛏)人(🥩)人喊打(dǎ )的地步。当(dāng )张宝(🍞)文(🔩)重新(xīn )回归家庭的(de )时候,一(🍠)个(🕉)(gè )熟悉的面孔(kǒng )站在了门口(🌒)(kǒ(🕝)u )挡住了他的(de )视线。
東京(jīng )國(💈)際(➰)同志影展參展作品
都说(shuō(🤓) )男(🌟)人一有钱(qián )就变坏,女(nǚ )人(🥤)一(🏞)变(✖)坏就(jiù )有钱,这(zhè )句(jù )话用(⛓)在(〽)张(zhāng )宝(bǎo )文和他的(de )秘书身(✏)上(🙋)绝(jué )对合适。张(zhāng )宝文原本(🦁)有(🌟)(yǒu )一个非常好(hǎo )的前程和家(🚶)庭(🌽),但是他却不(bú )珍惜,与自(zì(🅱) )己(🤩)的秘书走(zǒu )到了一起。这一(❇)段(😻)办公(gōng )室的恋情导(dǎo )致了张(🔡)宝(🌛)文(wén )在事业上和(hé )家庭上(🍥)彻(🏅)底(dǐ )破碎。秘书(shū )的贪婪最(🙉)终(🔝)(zhōng )落到过街老鼠人人喊打(🍲)的(😸)地(🐬)(dì )步。当张宝(bǎo )文重新回归(💉)(guī(🐚) )家庭的时候(hòu ),一个熟(shú )悉(🏄)(xī(🕍) )的面孔站(zhàn )在(zài )了门口挡(😫)(dǎ(🚝)ng )住了他的视(shì )线。
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
在革命(mìng )烈(🆙)士(🕷)纪念碑(bēi )前,抗战老(lǎo )兵王(🐫)二(🌶)回忆起了(le )自己曾经的(de )前辈(⏱)、(🏑)导师(shī )及战友。在(zài )那个战火(👑)纷(🥪)(fēn )飞的年代,侵华日军的(de )铁(🧥)蹄(🌩)踏到了(le )王二所在的(de )村子里(🌾)。十(🛵)(shí )五六岁的王(wáng )二胆小懦弱(🚮),无(🍟)依无靠的他在炮火中无(wú(😎) )所(🧑)适从,直(zhí )到一个八路(lù )军(🐸)的(🙃)班解救(jiù )了他。就(jiù )此(cǐ )他结(🌿)识了(le )有勇有谋的(de )班长赵真,机(💾)灵(🏀)的侦查(chá )员张鹏,大(dà )大咧(🐘)咧(😿)的警(jǐng )卫员孙大嘴,谨(jǐn )慎(🍌)的(🐅)刘贵,沉着的狙击(jī )手周大宝(⏩),善(💦)良的卫生(shēng )员叶琳,以(yǐ )及(🥕)因(🏵)厌恶侵(qīn )略战争而投(tóu )靠(👊)八(🛰)路军的(de )原日军成员(yuán )小林健(🏡)次(🥕)郎(láng )。赵真所在的班因解救(💝)王(👸)二而与大部队(duì )失散,他们(🔢)(men )一(😪)行人带着(zhe )王二,在日(rì )军的封(🔃)锁(suǒ )区(qū )艰难的寻(xún )找着大(🤰)部(🕍)队(duì )。在战火的(de )洗礼中,他(tā(🎵) )们(🌨)每个人都(dōu )面临着突破(pò(🦓) )自(🚽)我的考验……
After his mother's sudden death, Socrates, a 15-year-old living on the margins of São Paulo's coast, must survive on his own while coming to terms with his grief.详情