我知女人心10

A newly reunited young couple's drive through the Pacific Northwest turns into a nightmare as they are forced to face nature, unsavory locals, and a monstrous creature, known to the Native Americans as Oh-Mah.

你(🗂)(nǐ(🕢) )可能说你看(⛳)不(🧝)到(dào )五分钟(🥍)，我(✌)只能说(shuō )你(🌤)错(⛅)过了最后五(💎)(wǔ(🌮) )分钟。

城市里(🧥)出(🦇)现(xiàn )了(le )一群(🙋)怪(💮)鸟，他(tā )们开(🙄)始(🔌)筑巢，而人(ré(🐘)n )们(🏽)(men )被慢慢的吸(🥟)引(🥁)(yǐn )到巢(cháo )里(📿)居(🛶)住。

本片(piàn )来(lá(💷)i )自新片场创作(⏬)(zuò )人吴(wú )晋超，他担任这(zhè )部影片的导演、编(biān )剧、美术以及剪(jiǎn )辑。出品方为BITONE。

年(nián )轻(qīng )的直播女孩，天使(🎻)(shǐ )ol原本过着简(🔲)单(dān )地(dì )生活(🥎)，但(😑)是这(zhè )所有(⛷)(yǒ(🉐)u )的平静都被(🤛)一(🖊)个(gè )叫做“守(〽)护(🚏)天使的(de )骑士(✉)”的(🚐)男孩所(suǒ )打(🔌)破(➿)，他的出现成(🥐)(ché(🤧)ng )为(wéi )了阴谋(🥣)者(🌂)利用(yòng )的工(🍑)具(🥙)，同样在直(zhí(🌘) )播(🧐)(bō )平台风生水(🖖)起(qǐ )的“猪妹”利(🚥)用了(le )这(zhè )次千载难分的(de )机会(huì )，想尽一切办法(fǎ )想搞垮天使ol，这一(yī )切都在一个道貌(mào )岸然的心理医生暗(🍵)(àn )中(zhōng )操作中(🔹)进行，一切(qiē )本(⏸)来(⚫)都是按照(zhà(❔)o )两(🏏)(liǎng )个阴谋者(🛷)计(🐴)划(huá )的进(jì(🐐)n )行(🌇)着，可是结果(👱)(guǒ(🏐) )却出乎了他(🏪)们(🙄)的意(yì )料，天(🧢)使(🛬)ol被跟踪(zōng )并(🚮)受(👯)到威胁，猪妹(🐴)(mè(🔽)i )也(yě )遇袭受(📺)害(🚚)，一(yī )切都已经(✴)失控，最(zuì )后(hò(🏁)u )的受益者会是(🌜)(shì )谁，是医生还是各(gè )怀(huái )鬼胎的当事人(rén )。

大(dà )卫（杰克·吉伦(lún )哈尔 Jake Gyllenhaal 饰）、米兰达(dá )（(🌳)丽贝卡·弗格(😇)(gé )森 Rebecca Ferguson 饰）、罗(🗳)里(🤐)（瑞(ruì )安(ā(🧕)n )·(🚢)雷诺兹 Ryan Reynolds 饰）(🔀)、(📫)秀(xiù )（真田(🌑)广(🍪)之 饰(shì )）和(🔜)休(🗼)（阿利安(ā(🐝)n )·(🥦)巴(bā )克瑞 Ariyon Bakare 饰(🐃)）(😜)是在同(tóng )一(🍖)艘(🐧)太空船上工(🍷)作(👈)(zuò )的宇航员(🔡)们(❇)。一(yī )次偶然之(🧛)中，他们(men )在(zài )火(💝)星上发现了(le )一(🗾)个尚未成熟的生(shēng )命(mìng )体。休将这个(gè )生命(mìng )体带回了实验(yàn )室(shì )，让大家没有(yǒu )想到(dào )的(🗃)是，这个小小(xiǎ(🤳)o )的细胞在外界(👁)的(🎁)刺(cì )激之下(🍄)竟(😻)然开始(shǐ )了(🐵)飞(🐠)速的成长。

主(🐦)(zhǔ(🖥) )人(rén )公穆夏(📊)是(🚵)一名(míng )小说(🕎)家(🍺)，正在创作(zuò(📮) )一(🤩)(yī )部小说，近(🐜)来(❕)(lái )常常(cháng )被(👧)噩(🦌)梦纠缠。丈(zhà(🏣)ng )夫(⛷)莫洋为她安(ā(📸)n )排心(xīn )理医生(♉)做治疗，可没想(📇)到在催眠治(zhì )疗过程中一个声(shēng )称他才是穆夏真丈(zhàng )夫(fū )的男人出现，穆夏(xià )平静的世界(🐻)开(kāi )始(shǐ )变的(🕴)一团混乱(luàn )。

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.